![]() Searles and Nolte documented the celebration of important festivals like the Virgen de la Candelaria in the jungle communities of Puno and the Qoyllur Rit’i in the sierras of Cusco. Each of the photographs that comprise this project has a mystical quality, a surreal haze meant to draw the viewer into a realm where reality and spirituality cross and momentarily become indistinguishable. The photographs are by Leslie Searles and Musuk Nolte, born in Lima and Mexico City respectively. This first sala was part of the works titled Piruw, in acknowledgment of the origin of the name Perú as the Spanish conquistadors referred to the country when they arrived. Since it was only one sol, of course I rented it and pressed play as I entered the first sala, where I found six black and white photographs displayed in black frames on white walls. There was no cover for this exhibit, but for one Peruvian Nuevo Sol you can rent an audio guide. After greeting the security guards, I followed a tile walkway inside of the elegant, refurbished townhouse.Īfter entering the lobby, I glanced down the hall at the different salas or rooms of the exhibit before going to the counter to get my entrance ticket. A peek inside of the gates revealed the name MATE in large, colorful letters on the outer wall. There is a small sign posted outside indicating that this was in fact the art gallery I was looking for. Just as I rounded a bend, I came upon a building with a gate and white pillars out front. ![]() I wandered down the Avenida San Martin in Barranco, past the Main Square, walking along the trolley line until the street turns into Avenida Pedro de Osma. It was a sunny Saturday afternoon in Lima, and I decided that I wanted to see the new exhibit Piruw and Wanu at the art gallery MATE. ![]()
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